Sabtu, 30 Juni 2012

[H738.Ebook] Download PDF The Outrage Industry: Political Opinion Media and the New Incivility, by Jeffrey M. Berry, Sarah Sobieraj

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The Outrage Industry: Political Opinion Media and the New Incivility, by Jeffrey M. Berry, Sarah Sobieraj

In early 2012, conservative radio host Rush Limbaugh claimed that Sandra Fluke, a Georgetown University law student who advocated for insurance coverage of contraceptives, "wants to be paid to have sex." Over the next few days, Limbaugh attacked Fluke personally, often in crude terms, while a powerful backlash grew, led by organizations such as the National Organization for Women. But perhaps what was most notable about the incident was that it wasn't unusual. From Limbaugh's venomous attacks on Fluke to liberal radio host Mike Malloy's suggestion that Bill O'Reilly "drink a vat of poison... and choke to death," over-the-top discourse in today's political opinion media is pervasive.

Anyone who observes the skyrocketing number of incendiary political opinion shows on television and radio might conclude that political vitriol on the airwaves is fueled by the increasingly partisan American political system. But in The Outrage Industry Jeffrey M. Berry and Sarah Sobieraj show how the proliferation of outrage-the provocative, hyperbolic style of commentary delivered by hosts like Ed Schultz, Bill O'Reilly, and Sean Hannity- says more about regulatory, technological, and cultural changes, than it does about our political inclinations.

Berry and Sobieraj tackle the mechanics of outrage rhetoric, exploring its various forms such as mockery, emotional display, fear mongering, audience flattery, and conspiracy theories. They then investigate the impact of outrage rhetoric-which stigmatizes cooperation and brands collaboration and compromise as weak-on a contemporary political landscape that features frequent straight-party voting in Congress. Outrage tactics have also facilitated the growth of the Tea Party, a movement which appeals to older, white conservatives and has dragged the GOP farther away from the demographically significant moderates whose favor it should be courting. Finally, The Outrage Industry examines how these shows sour our own political lives, exacerbating anxieties about political talk and collaboration in our own communities. Drawing from a rich base of evidence, this book forces all of us to consider the negative consequences that flow from our increasingly hyper-partisan political media.

  • Sales Rank: #213155 in Books
  • Published on: 2014-01-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.50" h x 1.00" w x 9.30" l, 1.10 pounds
  • Binding: Hardcover
  • 288 pages

Review

"Jeffrey Berry and Sarah Sobieraj have written an important book about a phenomenon that has been a major contributor to partisan conflict and gridlock in Washington in recent years-the development of an increasingly hyperbolic, emotional and negative style of media commentary. The Outrage Industry will be must reading for anyone who wants to understand why our political system is so dysfunctional"
--Alan Abramowitz, Alben W. Barkley Professor of Political Science, Emory University


"Amidst a changing media landscape, we are fortunate to have Berry and Sobieraj as guides, mapping the terrain of an expanding media genre. This rich and compelling analysis of the production and consumption of outrage media is sure to inspire much-needed discussion about the politics of today's news media and stimulate new research on this powerful but understudied genre. The Outrage Industry is essential reading for media scholars and students, and for all those concerned about the future of journalism in the United States."
--William Hoynes, Professor of Sociology and former Director of Media Studies, Vassar College


"The Outrage Industry provides a thorough, revealing look behind the scenes of today's angry rhetoric and the networks and systems that make it tick. The book is admirably empirical, thorough, and nuanced, and it should be required reading for those trying to understand our political landscape, how we got here, and the role of media in building and reproducing political identities."
--Andrew Perrin, Associate Professor of Sociology, University of North Carolina, Chapel Hill


About the Author

Jeffrey M. Berry is John Richard Skuse Professor of Political Science at Tufts University.

Sarah Sobieraj is Associate Professor of Sociology at Tufts University.

Most helpful customer reviews

11 of 11 people found the following review helpful.
An eye-opening read
By Eric
This book sets out to make three arguments:
- That political opinion media contains more manufactured outrage than before, which could be characterized as the "new incivility;"
- That the increase in outrage doesn't reflect polarization among audiences, per se, so much as structural changes in the media industry driven by technological and regulatory developments; and
- That outrage has some positive effects but on the whole has a pernicious effect on the way government functions.

I think the book is largely successful. The authors make a good case that a) outrage as a pervasive feature of our political media is relatively new, and b) it has mostly to do with media companies figuring out how to make money in a rapidly changing environment. The takeaway, for me, has been to be much more vigilant to when authors or media hosts employ outrage techniques, and to be skeptical. While conservative readers may feel like the authors are unduly focused on conservative outlets like Rush Limbaugh and Fox News, I'd say on balance the authors go out of their way to be even-handed, despite the relative paucity of liberal outrage outlets (which the authors explain convincingly, incidentally, by reference to structural factors).

There are a few places, albeit relatively minor ones, where I think the authors miss the mark. First, the authors oddly make repeated reference to the shooting of former Rep. Gabby Giffords in the context of discussing the outrage industry. To my knowledge, the overwhelming consensus on that event is that it was driven by the untreated mental illness of an individual, rather than having anything to do with politics per se. Second, for reasons I cannot fathom, the authors lump the National Review together with outlets like NPR as examples of non-outrage-based media outlets. I'm sorry, but on the authors' own definition of outrage, the National Review--whatever it may have once been under Wm. F. Buckley--is an outrage outlet, full stop. A better example of a sober-minded source of opinion on the right would be something like The American Conservative, for instance.

Overall, I highly recommend this book to anyone who struggles to understand why political opinion media is as a rule so vitriolic and over-the-top. Speaking for myself, this book has profoundly changed the way I approach such media, and generally has led me to conclude that much of it is actually, ultimately, pretty silly.

12 of 14 people found the following review helpful.
An Excellent Analysis
By Mary Bell Lockhart
This is an excellent, more scientific and sociological analysis of "shock" radio, TV and blogging, on almost exclusively the conservative side of our political spectrum. Read this, then do more research into the history to find answers to some of the questions they raise. For example, at one point they ask why shockers like Rush Limbaugh have such a large audience. Reading the history we find that they have large audiences precisely because they are being pushed onto us while alternatives have been eliminated. Radio networks have been bought by conservatives to put especially Limbaugh out there everywhere someone tunes in a radio. At one point in the book the authors say, "It is almost as if outrage media were designed by legislators for their own means." Historically that's exactly what happened! For example Fox News (sic) grew directly out of proposals submitted to President Nixon for a "GOP TV" by the same people who developed Fox. And as soon as the Tea Party raised it's head it was taken over, manipulated, shaped, funded and promoted by the GOP and Fox News. Read about the strategy of debating called the "Gish Gallop" and you will see that method applied in "outrage media" today - talk a mile a minute, talk over others, change the subject repeatedly, demonize and devalue your opponent. There are some liberal media figures lumped in, perhaps for balance, but the authors may miss the point that when liberals have engaged in outrage it almost always is in response to outrage from the right. Ask what purpose the GOP has in the outrage and the answer is, as usual, "follow the money." They need supporters to vote for them and actively campaign so that GOP public policy will favor corporations, big banks, Wall Street and polluting industries. They can't campaign on that agenda, so they use outrage to garner support. The authors have exactly the right prescription for this malady, however. It's not restriction of outrage that will work best (the First Amendment is vitally important) but the addition of more alternatives, more media challenging directly the misrepresentation and ugliness of outrage.

6 of 6 people found the following review helpful.
The Outrage Industry is the Future
By Noah Cross
This a wonderful book. The title refers to a rapidly growing segment of the media primarily on cable TV, talk radio, and Internet blogs which uses several elements (such as name-calling, mockery, and exaggeration) to appeal to a hyper-partisan audience. Much of the source material for the book comes from content analyses of many of these information sources as well as interviews with news industry experts and Tea Party leaders. Berry and Sobieraj identify 13 key elements of outrage rhetoric and show that these features are much more common today than in the past, contributing to the coarsening of political discourse.
One of the most interesting parts of the book documents the business side of outrage media. The outrage media has grown in response to clearly defined economic incentives, as well as technological, regulatory and political changes in the United States. Berry and Sobieraj also report on the connection outrage media hosts develop with their audience. They make an important point that outrage media provide their audience a safe place for political discussion, where they feel respected and respectable. Of course, they all get respectable if they last long enough. Berry and Sobieraj make a convincing case that outrage media is having a profound effect on American politics. Most importantly, they demonstrate that at the right time and the right place the outrage industry is capable of almost anything.

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Kamis, 28 Juni 2012

[P474.Ebook] Download Simplified Site Design, by James Ambrose, Peter Brandow

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Examines the general problems of designing and constructing sites for buildings. Coverage includes: site construction and planning, placing buildings on sites, landscape planning, drainage, site traffic for vehicles and pedestrians, parking, lighting, handicap facilities and much more.

  • Sales Rank: #1546895 in Books
  • Published on: 1992-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.37" h x .50" w x 7.17" l, 1.22 pounds
  • Binding: Hardcover
  • 216 pages

From the Publisher
Examines the general problems of designing and constructing sites for buildings. Coverage includes: site construction and planning, placing buildings on sites, landscape planning, drainage, site traffic for vehicles and pedestrians, parking, lighting, handicap facilities and much more.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Don't purchase this book
By henry cohen
The information in this book is not up to date. There are other books with much more relevant information.
The book is badly printed, very difficult to read. Greatly overpriced.

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Jumat, 22 Juni 2012

[N697.Ebook] Free PDF Designing Object-Oriented Software, by Rebecca Wirfs-Brock, Brian Wilkerson, Lauren Wiener

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Designing Object-Oriented Software, by Rebecca Wirfs-Brock, Brian Wilkerson, Lauren Wiener

Practical and down-to-earth in approach, this bestseller explores the art of designing object-oriented software. It offers basic design principles and a specific design process that can be applied to any software programming effort -- even those not using object-oriented programming languages or environments. Covers the concepts of object-oriented technology, presents a process to apply those concepts, the tools to use throughout the process, and examples to put it all together. For developers of object-oriented software.

  • Sales Rank: #265624 in Books
  • Published on: 1990-06-28
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.90" l, 1.34 pounds
  • Binding: Paperback
  • 341 pages

From the Publisher
A practical, down-to-earth introduction to the art of designing object- oriented software.

From the Back Cover
'Designing Object - oriented Software' offers basic principles and a specific process independent of any particular implementation technology. It can be applied to any software programming effort - even those not using object oriented languages.

Most helpful customer reviews

22 of 23 people found the following review helpful.
All-timer
By Mihailo Despotovic
When the book is more than 10 years old and still a required literature in the area, that really tells you a lot. Especially if the area is software engineering where things tend to change quickly. After more than 10 years this book is still a fundamental reading from OO design. Even IBM recommends this book for it's Object Oriented Programming exam. First several chapters are really classic - everything is there: why OOP?, objects, classes, responsibilities, collaborations, hierarchies. If you read this first and then go for any C++/Java/put_your_favorite_oop_language_here book, everything is going to be much much easier and more clear even if you have a decent OO design background. There are even couple of presentations of complete implementations of fair software projects using the terminology and techniques described in the book (last two chapters). If you are beginner in OO design or you have to read just one "theoretical" book from OO design or don't know where to start concerning OO design, I recommend this one. The only drawback is that book is still pretty expensive, but I am sure that you will not regret...

19 of 20 people found the following review helpful.
A valuable resource - Published 1990 and still a great read
By A Customer
This book is great because it makes sense. Its simply well thought out, consistent in its approach, and extremely insightful. Even if you dont use CRC cards or dont use the term "Responsibility Driven" in your work, you will find this text and the concepts it presents fit in nicely with the newer UML notation and "way of being." Although you won't find "Use Case" in the index, the stability of the common sense put into this book will map easily to whatever modeling doctrines you use. The fact that Amazon.com is shipping a software design book that is almost 10yrs old in 24hours should also tell you something about its credibility. Simply, a great book.

18 of 19 people found the following review helpful.
The clearest & simplest introduction to OOP
By Amnon H. Eden (eden@math.tau.ac.il)
I am a veteran lecturer of object oriented programming> Unfortunately, despite the popularity of the subject and the (seeming) abundance of books in the discipline, I still have a difficulty in providing my students with a comprehensive source of information. This book, however, covers more than any other book I know of, in the clearest form.

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Selasa, 19 Juni 2012

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Dubbing, Film and Performance: Uncanny Encounters (New Trends in Translation Studies), by Charlotte Bosseaux

Research on dubbing in audiovisual productions has been prolific in the past few decades, which has helped to expand our understanding of the history and impact of dubbing worldwide. Much of this work, however, has been concerned with the linguistic aspects of audiovisual productions, whereas studies emphasizing the importance of visual and acoustic dimensions are few and far between.
Against this background, Dubbing, Film and Performance attempts to fill a gap in Audiovisual Translation (AVT) research by investigating dubbing from the point of view of film and sound studies. The author argues that dubbing ought to be viewed and analysed holistically in terms of its visual, acoustic and linguistic composition. The ultimate goal is to raise further awareness of the changes dubbing brings about by showing its impact on characterization. To this end, a tripartite model has been devised to investigate how visual, aural and linguistic elements combine to construct characters and their performance in the original productions and how these are deconstructed and reconstructed in translation through dubbing. To test the model, the author analyses extracts of the US television series Buffy the Vampire Slayer and its French dubbed version.

  • Published on: 2015-07-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.80" h x .60" w x 5.90" l, .79 pounds
  • Binding: Paperback
  • 242 pages

About the Author
Charlotte Bosseaux is Senior Lecturer in Translation Studies at the University of Edinburgh. She is the author of How Does it Feel: Point of View in Translation (2007). Her current research focus is performance and characterization in audiovisual productions and her publications include work on Marilyn Monroe, and Spike and Buffy from Buffy the Vampire Slayer.

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Minggu, 17 Juni 2012

[L552.Ebook] Download PDF Rubank Elementary Method Clarinet (Rubank Educational Library)From Hal Leonard

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Rubank Elementary Method Clarinet (Rubank Educational Library)From Hal Leonard

One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales, arpeggios, technical studies, studies for musicianship, articulation studies, solos, duets, and studies devoted to the special needs of each instrument, this series provides a fantastic wealth of material for all student musicians.

  • Sales Rank: #34036 in Books
  • Brand: Hal Leonard
  • Published on: 1992-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .19" w x 9.00" l, 21.00 pounds
  • Binding: Paperback
  • 48 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

51 of 51 people found the following review helpful.
Great practice book!!
By da perfesser
I'm just getting back into playing the clarinet after not touching one for the last 46 years. I got several different books to get me back up to speed. The Hal Leonard series is flashy and very approachable, but it lacks depth and I got through it in three lessons. This book doesn't have the personality of that one, but it has a LOT more substance!! It is packed with practice exercises. I think I made more progress using it today than I have with the Leonard book in the last three weeks. It has a dated appearance (copyright 1933!), and it doesn't have any neat gimmicks like DVDs or CDs, but for a serious student who doesn't need that kind of stuff, this is solid and worth a close look.

14 of 14 people found the following review helpful.
Very good for developing technique
By J. K Saxon
As a student and teacher, I've always liked the Rubank books. However, many students I've had can find them dry because they focus mostly on technique and don't always include many recognizable tunes. This is very true of this particular beginners book, so I would not use it as the ONLY book a for a beginner. However, it is very good at what it is designed to do, so I would use this book to develop technique in combination with a book like A New Tune a Day, which focuses more on playing recognizable tunes. For a student who really enjoys the clarinet and wants to excel, Rubank offers a focus on developing technique that is missing from most of the band method and other beginners books.

1 of 1 people found the following review helpful.
good selection of exercises for beginner.
By Elizabeth Tobias
haven't bought one of these in 30-odd years. Still has the sturdy, heavy-duty cover build to resist being dragged around by a younger student.
I bought this to help my son with learning to both read and play. It's straightforward. Good selection of exercises for the beginning music student.
I can't find the advanced student version I have for the flute, so I'm guessing at the comparison - but this is "beginner" in the sense of someone still learning to read music and fingerings.

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Kamis, 07 Juni 2012

[E523.Ebook] Download PDF The Big Love: Life & Death with Bill Evans, by Laurie Verchomin

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The Big Love: Life & Death with Bill Evans, by Laurie Verchomin

Jazz music has never been a stranger to aberrant characters. Throughout the form’s artistic and commercial heyday of the past hundred years, the only thing that has come close to upstaging its rapturous sounds are the actual individuals responsible for its creation. Further investigation into most facets of life, particularly where art is concerned, leads to a variety of unimagined eccentricities, but one would be hard-pressed to encounter a stranger gathering of folks than that of the jazz innovators of the twentieth century- an unsettling convergence of sound, addiction, enlightenment, passion, insanity, and everything in between. Yet, among this kaleidoscopic crowd, few entities compose a portrait as bewildering as that of Bill Evans. In the decades since his death, the character of Evans has, if nothing else, become harder to grasp. As his musical legacy continues its ascent to eternity, the creator responsible for this luminescent ladder somehow remains in the background. Whereas information on many jazz icon’s personal lives has become readily available to anyone interested through numerous biographies and documentaries, practically everything published (and there is a fair amount) concerning Evans remains rooted in his music, as it well should. But the flaw in this matter is that, to his ever-expanding legion of devotees, Bill’s influence stretches beyond that of music. From the moment he penned the Zen-tinged liner notes to Kind of Blue, Evans’ public persona has taken on a spiritual air. The luxurious work created by his early trios only served to heighten this semblance. Though not lifted to any sort of leadership role, Evans was viewed by many as a sort of companion on a path to something extending beyond the general Western understanding of existence. Throughout his entire professional career, Evans was also hopelessly addicted to drugs, a fact that was no secret while he was alive, but one that remains difficult to absorb even today. Obviously drugs are not foreign objects in the jazz ambient, but it is too easy to simply throw Evans onto jazz’s steep junkie pile. He was too intelligent, too administrative over his physical and emotional capacities to allow himself to succumb to an addiction which he did not really want. Why then was the man whose shimmering touch and blush-hued harmonies were responsible for transforming the piano into a jazz instrument as expressive and beautiful as any sighing horn such an afflicted soul? For those who have truly fallen under his spell, this lingering question weighs on his entire legacy. Perhaps the closest one will come to answering this and other questions concerning the pianist’s personal life will be through Laurie Verchomin’s memoir The Big Love- Life and Death with Bill Evans. For the final sixteen months of Evans’ life, he and Ms. Verchomin were lovers. It was an incredibly intense period for Evans, both creatively and emotionally. At the time of their meeting, Laurie was only 22 and firmly entrenched in the post-Woodstock youth’s quest for any and all forms of experience. Her recounting of this bohemian lifestyle and the resultant drug experimentation, sexual promiscuity, and aimless drifting are simultaneously touching and absurd, eliciting a response ranging from apathy to deep compassion. Laurie’s account of her brief, but transforming period with this musical giant may not answer the questions that everyone yearns to have answered concerning Evans’ divided and tortured soul. But at the end of it, one somehow admires Bill all the more, as a musician and as a human being. Excerpt from an article by By John Varrallo Musician & Writer

  • Sales Rank: #650986 in Books
  • Published on: 2011-02-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .36" w x 6.00" l, .55 pounds
  • Binding: Paperback
  • 144 pages

About the Author
Laurie Verchomin was born and raised on the Canadian prairies. She studied piano, voice, modern dance and theater in Edmonton, Alberta. As a young woman she had the great fortune to meet jazz icon Bill Evans. Her memoir records her own awakening into love, sex, drugs, spiritual enlightenment, death and jazz as well as the incendiary ascension of one of the worlds most beloved musicians. The Big Love ~ Life & Death with Bill Evans ( Volume 1) Laurie’s first book is now in 17 countries. A French translation is in production, and The Big Love is now being considered for development as a film or stage production. She has performed selected works from the book in New York with the composer/pianist Jed Distler as a part of the Composers Collaborative, and was recently interviewed for a new documentary film about Evans. She is also in the process of creating a multi-media ebook version of The Big Love. Currently she resides on the Sunshine Coast of British Columbia with her partner and devotes her time to raising her 13 year old daughter, writing, tai chi and meditation. You can find out more about Laurie and her current projects at her blog site: laurieverchomin.com

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15 of 15 people found the following review helpful.
A Must-Have for fans of Bill Evans
By Win Hinkle
Preface
Before I actually read this book, I had heard various comments about it, some flattering, some not. As there seemed to be no one stepping up to the plate to do a review, I purchased the book from Laurie and volunteered to review it for Jan Stevens' web site, "The Bill Evans Web Pages." It was a complex challenge, increasing my understanding of Bill and Laurie's relationship as well as revealing deeper visions of Bill's everyday living, loving and creating. Reading and re-reading this book, like listening to Bill's music, has been a life-changing experience for me as I expect it will be for you.
"The Big Love," is a love story, but unlike most. The stark realities of Laurie's coming-of-age before meeting Bill, and later, the dried up riverbeds of Bill's addiction are detailed in a narrative that might be shocking to some readers. Laurie writes in a sort of prose that is still liquid and finding its form as the book progresses. You might consider some of it explicit, maybe PG-13, even though quite appropriate to the situation.
In addition to her relationship with Bill, Laurie goes into great detail about the ups and downs of her personal life. We experience vivid details of her transformation from a young girl growing up in Canada in a semi-dysfunctional family. She experiences some difficult situations and sexual encounters through a fast-paced transition to adulthood. Her relationship with Bill figures prominently.
Edmonton, Alberta, Canada
After an education that included music theory and a growing understanding of jazz, Laurie has her first encounter with Bill Evans while she is waitressing at a place called the Mayflower Restaurant on 97th Street in Edmonton. The Railtown Jazz Society had booked the trio to perform in this "church/disco/Chinese restaurant." It proves to be a trial by fire for her as she has not seen an audience so entranced by the music that they ignore the waitress trying to serve them drinks. None are big spenders as most are students and professors from Grant McKuen Community College where she was once enrolled.
Either due to the fact that she is inexperienced as a waitress, or the cheapness of the audience, or a combination of both, she is $50 short at the end on the night and has to borrow from a friend to tally-up with the bartender.
After the concert she and Bill get together. Laurie communicates her experience with the bartender to Bill while they spend the evening together at her apartment with other friends. Bill gave her a short note and his phone number written down on the back of one of his manager's business cards asking her to call him. Several days later she gets her first letter from him with $50 enclosed to repay the debt to the friend.
Bill seems to be immediately convinced that he wants to have a long term relationship with the twenty-two year old and invitations and travel arrangements are made for Laurie to join Bill on his tours and performances. This culminates in Laurie eventually joining Bill, not just in hotel rooms while on tour, but as a resident of his apartment in New Jersey for his gigs in the New York City Area and the down-time between performances. After a meeting with Bill's manager Helen Keene, Laurie is given the title of road manager.
The saddest part of "The Big Love" is an event that I thought somehow escaped Bill and his addiction - paranoia. I know that paranoia can be a normal part of an addict's thinking, but somehow I thought Bill Evans was immune, since he seemed to continually compose and perform on a level that transcended those medical symptoms. Alas, that was not the case and when you read this section, it smacks you in the face. Be prepared for it dear reader.
Laurie delivers much of Bill's personal life - vivid descriptions of their love and growing bonds to each other as well as the sinister ogre of Bill's addiction and its consequences. Along the way, we are permitted a close-up look at Bill's crafting of the song "Laurie," from a basic sketch, through various permutations, blossoming to the final version. Simultaneously, we watch his illness progress to the missed nights at the trio's last engagement at Fat Tuesday and, ultimately, to his death.
The book is fascinating and hard to put down partially due to Laurie's prose. Here is an excerpt from Laurie's description of Bill Evans holding court at the Village Vanguard.

"He assumes his position, face draped gently over his hands on the keys. He tilts his head to one side - listening - and I see his face, the sallow skin stretched over the broad forehead, eyebrows raised in astonished agony or ecstasy, his eyes closed behind dark glasses, mouth and jaw open.
This is the expression he has at home composing at the piano. This is the expression he shares with me when we make love. This is his most intimate expression - egoless, vulnerable - full of truth and beauty.
Smoke curls up from ashtrays, filling the darkened red and black room with an eerie blue haze. No one speaks, everyone is in accord. We are all in accord with the intangible feeling of inner beauty decompressing from the depths of our neglected souls - surfacing
We are remembering who we really are. Remembering our place in the perfection of everything. The place beyond words and feelings."

All in all, this a great addition to the small library of written words about Bill. I would place it second only to Peter Pettinger's great work, Bill Evans: How My Heart Sings. You'll also learn the name of Bill's main drug dealer in the last chapter of his life, an anagram of the tune, "Yet Ne'er Broken," a name that I've been trying to figure out for years.

Win Hinkle
This review first appeared at the [...] on March 26, 2011. The reviewer is the editor of the no-longer-published "Letter From Evans," now available free online at[...]

14 of 14 people found the following review helpful.
Excruciatingly raw account of the Demons that plagued a master
By Brian Whistler
I have been a huge fan and of Bill Evans since I was a young man. It was his playing that inspired me to become a jazz pianist. Up until now, Bill's personal life was relegated to rumor and a few apocryphal stories. In his book "How My Heart Sings" , Peter Pettigrew made a point of leaving the shadows of Bill's life on the cutting room floor. In The Big Love, we are finally given a glimpse of the inner Bill Evans, his struggles with addiction and seemingly inevitable path towards self destruction.

But the Big Love is something more than an account of Evans' last tortured year. It is also a courageous and unflinching memoir of a young woman in search of herself who was drawn into the subterranean world of artists, actors and musicians living on the outer edge of experience in a time that encouraged wild experimentation. Thus it also serves as the story of one woman's journey of self discovery and her own artistic awakening.

I found Big Love to be a passionate and vivid account of the last year and a half of Bill Evans' life. Although The Big Love suffers occasionally from awkward prose which at times distracted this reader, the story is so compelling and the writing so honest that despite its shortcomings, I devoured the book in two short sittings. For devotees of the 'church of Bill,' this will be a painful but worthwhile initiation into the demons that haunted Mr Evans, and in taking the journey into the shadows, perhaps we gain some insight into what drove the man to be able to move us to emotional and spiritual depths that artists aspire to but rarely achieve. Bill's music carries with it the imprint of the human spirit's universal dilemma, the archetypal suffering of spirit caught in flesh and the soul's longing for transcendence and unification with (as Bill would put it,) Universal Mind.

I have always found it bewildering that a man possessing such extraordinary gifts and intelligence wouldn't have been more balanced, and that the feeble consolations of substance abuse would have tempted an artist and human being of his caliber. This book offers few insights into what drove him into compulsive addiction, but in reading between the lines I grew to suspect that Bill may have had a brain chemistry imbalance that resulted in some kind of chronically depressive state. His brother Harry had suffered from depression and eventually committed suicide,which certainly added fuel to the fire of Bill's final descent. But then one wonders, if he hadn't been so troubled, would he still have been able to create at such a high level?

For anyone who loves Bill Evan's music and wants to understand what made Bill Evans tick, this is a must read.

15 of 16 people found the following review helpful.
An important piece of the puzzle that was Bill Evans
By Robert Husband
Laurie, This morning I found a couple of hours to tumble into your world. Thank you for sharing such vivid memories of that incredible period of yours and Bill Evans' lives. The joy you felt comes through so clearly but you also communicate the fears and melancholy times so well that at times, while reading, I could have sworn I was sitting across the table from you in a New York coffee shop listening while it was all happening. Clearly, your spiritual view of life was part of what got you through the difficult times, but it sounds like it was a magical adventure that must have been inspiring for the emotion, the places, and the people. What a growing experience! As an Edmontonian, I got a real charge out of your mention of people and places close to home. And the descriptions with sights, sounds, and smells - well done! You really painted the scenes into life! Thanks again for sharing those times, the good and the not-so-good, and letting me in on the roller coaster ride of those 18 months. I will treasure the book and print always. I wish the best of luck to you and that the book gets recognition as an important piece of the puzzle that was Bill Evans".

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Selasa, 05 Juni 2012

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BROKEN - A Billionaire Stepbrother Romance Novel (BDSM), by Bella Grant



BROKEN - A Billionaire Stepbrother Romance Novel (BDSM), by Bella Grant

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BROKEN - A Billionaire Stepbrother Romance Novel (BDSM), by Bella Grant

Kristina Erickson can't stand Nick Parson for one obvious reason - He's a jerk!

Four years earlier, Kristina kicked Nick out of her bed just in time. She never wanted to see him again, even for a million dollars. But money has a way of changing things, and life can sometimes play cruel jokes. Kristina returns home to discover that Nick is now the most eligible man in town. Not such a big deal, really, until Kristina finds out her father is marrying his mother. Nick, the man she hates most, is now too close for comfort!

But a jerk is a jerk, and it didn’t take long for Nick to find comfort and distraction in the arms of Kristina’s best friend, Brandi. Kristina pretends not to care, shattering her heart herself, something she always guarded against.

Life should have been perfect, but Kristina has certain financial needs to meet and her journey to freedom leads her full circle into the arms of a broken man who is determined to reclaim what was almost once his.

This is a full length romance novel with no cliffhangers or back fillers! Elements of BDSM included.

  • Sales Rank: #59825 in eBooks
  • Published on: 2015-09-19
  • Released on: 2015-09-19
  • Format: Kindle eBook

Most helpful customer reviews

7 of 8 people found the following review helpful.
I liked this story!
By T Rice
I like Nick & Kristina's story! I wished they could have decided that they couldn't live without each other sooner, but the overall story was good and I would love to read more books by Bella Grant!!

6 of 7 people found the following review helpful.
Always follow your heart
By Pamela Shanline
I Loved this book!! Love the connection that Nick and Kristina have, knowing someone when you can't see their face is true love. After years of trying to do what they both thought was right, they finally follow their hearts. Can't wait to read more of Ella's books she's a great author and I didn't want to put the book down or finish their story!!

3 of 3 people found the following review helpful.
Just ok
By Stay at home Mami
I really thought I would love this story. I thought it was slow. I wish there was more to the story it just dragged. I didn't like that Nick was using Kristina's bff too try to move past his love for her. And what kind of bff goes after a man after her bff asks her not to not mine. Just wish there had been more of Nick and Kristina getting together sooner.

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Senin, 04 Juni 2012

[Q746.Ebook] PDF Download PHILOSOPHY OF THE MASTERS. (Gurmat Sidhant) Series Five., by Huzur Maharaj Sawan. SINGH (Author)

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PHILOSOPHY OF THE MASTERS. (Gurmat Sidhant) Series Five., by Huzur Maharaj Sawan. SINGH (Author)

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PHILOSOPHY OF THE MASTERS. (Gurmat Sidhant) Series Five., by Huzur Maharaj Sawan. SINGH (Author)

  • Sales Rank: #5301416 in Books
  • Published on: 1967
  • Binding: Hardcover
  • 240 pages

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