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Gay Cuban Nation, by Emilio Bejel
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With Gay Cuban Nation, Emilio Bejel looks at Cuba's markedly homoerotic culture through writings about homosexuality, placing them in the social and political contexts that led up to the Cuban Revolution. By reading against the grain of a wide variety of novels, short stories, autobiographies, newspaper articles, and films, Bejel maps out a fascinating argument about the way in which different attitudes toward power and nationalism struggle for an authoritative stance on homosexual issues. Through close readings of writers such as José Martí, Alfonso Hernández-Catá, Carlos Montenegro, José Lezama Lima, Leonardo Padura Fuentes, and Reinaldo Arenas, whose heartbreaking autobiography, Before Night Falls, has enjoyed renewed popularity, Gay Cuban Nation shows that the category of homosexuality is always lurking, ghostlike, in the shadows of nationalist discourse. The book stakes out Cuba's sexual battlefield, and will challenge the homophobia of both Castro's revolutionaries and Cuban exiles in the States.
- Sales Rank: #2114892 in Books
- Color: Blue
- Published on: 2001-09-01
- Released on: 2001-09-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .60" w x 6.00" l, .84 pounds
- Binding: Paperback
- 288 pages
Review
“Bejel persuasively asserts that the obsessive attempt to marginalize homosexuality with respect to Cuban nationalism has the paradoxical effect of making it central, through negation, to Cuban national consciousness. . . . The student of Latin American literature will find in Gay Cuban Nation an erudite and comprehensive introduction to the treatment of a central but problematical theme in Cuban history and society.” (Edward J. Tejirian Archives of Sexual Behavior)
From the Inside Flap
With Gay Cuban Nation, Emilio Bejel looks at Cuba's markedly homoerotic culture through writings about homosexuality, placing them in the social and political contexts that led up to the Cuban Revolution. By reading against the grain of a wide variety of novels, short stories, autobiographies, newspaper articles, and films, he maps out a fascinating argument about the way in which nationalism and other institutions of power struggle for an authoritative stance on homosexual issues. Through close readings of writers such as José Martí, Ofelia Rodríguez Acosta, Carlos Montenegro, José Lezama Lima, Severo Sarduy, Achy Obejas, Sonia Rivera-Valdés, and Reinaldo Arenas, Gay Cuban Nation shows ultimately that the specter of homosexuality is always lurking in the shadows of nationalist discourse.
About the Author
Emilio Bejel is a professor of Spanish American literature and literary theory at the University of Colorado at Boulder. In addition to seven collections of poetry and five books in Spanish, Bejel is the author of José Lezama Lima, Poet of the Image.
Most helpful customer reviews
8 of 9 people found the following review helpful.
A splendid introduction to homosexuality in Cuban literature
By Stephen O. Murray
Emilio Bejel's sensible analyses of Cuban fiction (on page and screen) shows that the project of Cuban nationalism from the last years of Spanish colonial rule to the middle years of Soviet neocolonialism was tightly interwoven with anxiety about weak, effeminate males and assertive, masculine women.In addition to well-known works such as Reinaldo Arenas's memoir _Before Night Falls_, José Lezama Lima's hallucinatory novel _Paradiso_, and the movie "Strawberry and Chocolate," Bejel discusses some less known earlier Cuban writing and more recent Cuban-American writing with characters who engage in homosexuality.
There is little in the way of comparison to nationalism in other places in this book and some surprising exclusions (especially Arenas's fiction and that of Virglio Piñera, now the martyred saint of younger gay Cuban writers). What Bejel has to say about the set of texts he discusses is almost always insightful, particularly about nuances of class differences and the long-running demonization of cities (paralleling the Jeffersonian tradition in the US). I am not convinced that some of the texts about which he writes (with the exception of "Strawberry and chocolate") reflect or have shaped Cuban nation-building (even in the sense of developing an "imagined community"). In addition to some doubts about the salience of some of the examples he selected I would have found more about the reception (especially any incorporation into standard Cuban school curricula) useful. Nonetheless, this is an outstanding and insight-filled reflection on homosexuality, homophobia, literature, and nation-building in Cuba from 1889 to 1997.
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